Showing posts with label scarlett johansson. Show all posts
Showing posts with label scarlett johansson. Show all posts

Monday, May 12, 2014

A Very Different Kind of Alien Abduction

This blog must begin with a huge warning that the following will contain so many spoilers for the movie Under The Skin (directed by Jonathan Glazer) that absolutely nothing will take you by surprise should you decide to see it; in fact, you may be struck by boredom and find yourself yawning uncontrollably. I have to warn you of this, as literally ANY information I give about the plot is a spoiler, considering the grandiose lack whatsoever provided by the trailer. Seriously, watch the clip below before proceeding.


Okay, now you know a grand total of absolutely nothing about the film except it looks confusing, creepy, artsy, and implies that Scarlet Johansson gets naked. After my first viewing of the trailer I was far from intrigued. My mind folded its metaphorical arms and shook its head like a stubborn child informing me that no way in hell were we going to see that movie. However, something in me kept wanting to watch the trailer over and over and I ended up watching it at least six times and greatly contributing to its number of views on YouTube. I felt like, although I expected a few sleepless nights to follow its screening, I would almost be more bothered if I didn't see it. I decided just to do it; how bad could it be (of course, this is exactly how I felt before seeing The Exorcist which made me unable to sleep or even enter a dark room unaccompanied for a good month)?

I am one of those "crazy" people who actually enjoys spoilers. I like being properly prepared for movies such as this so I know just what to expect. Is there going to be graphic, sick and twisted violence completely downplaying that in Game of Thrones? Will it raise so many psychologically disturbing questions that my mind teeters on the brink of explosion? Do I have to watch someone get castrated or skinned? Okay sorry, even typing that last bit was a bit disturbing. You get the point. But honestly, DO NOT READ BEYOND THIS POINT if you want the movie to remain a complete mystery and plan on seeing it. You have been warned. Twice, I might mention.

So first I went to Wikipedia which provided a brief paragraph explaining the plot, and the introductory sentence itself ruined the complete mystery in the movie. All it said was:

"In Scotland, an alien takes the body of an attractive young woman and travels the country in a van picking up men. As she lures her victims into a trap with the promise of sex, the men are immersed in a kind of preserving liquid and their flesh is harvested. She is monitored by another alien, who has the body of a male motorcyclist."

Reading this terrified me beyond belief. Harvested skin? Seriously? That seemed a bit beyond my ability to behold on the big screen. After this tidbit, I wanted to know more of what I was getting into, so I listened to some SoundCloud clip of two critics reviewing it and basically giving away every single plot point. They talked about how the alien played by Johansson leaves an abandoned baby on the beach, kidnaps a man with a horribly disfigured face but takes pity and releases him, eventually develops a curiosity about what it means to be human and tries unsuccessfully to have sex and at the end gets gasoline poured on her by a rapist-firefighter guy/park ranger after she peels off her face and skin revealing the alien underneath and burns to ashes. The end, now you know the entire film.

The floating bags of skin to be harvested were not nearly as nasty as I imagined they would be- they just resemble little scarves suspended in the "preserving liquid." I have to admit that I was far less creeped out than I thought I would be. In fact, I was a bit bored by the second half of the film but I attribute that to not being that invested or interested in artsy films. If you want to see Scarlet Johansson stark naked and that is enough motivation in itself, go see it. There is a lot of full-frontal male nudity as well though, so consider yourself warned. See it, don't see it, do what you want. If you like conventional Hollywood, skip it for sure. 

Thursday, January 23, 2014

Sorry, Siri...

...but I'd rather date a human being. However, running off with your laptop is presented as ever-so-plausible in the futuristic world (the not-too-distant future, terrifyingly enough) presented in Her. Informing friends and family that your significant other is an operating system doesn't even earn a second thought. Theodore, played by Joaquin Pheonix, wanders around in a depressed stupor (he even requests that his do-it-all phone/earpiece thing play a "melancholy song" while he rides in an elevator) completely entranced by his ear gadget (the future of smart phones, apparently- I thought it was the Google contact lens), telling it to check his e-mail, read messages, etc. None of the people passing him by glance up, completely absorbed in their technological devices. Doesn't sound too far off from where society is today, does it?

The portrayal of human-robot relations in film is no novel idea. There's Hal in 2001: A Space Odyssey, that weird robot from the Will Smith movie that came out awhile back, and now we have Samantha. I guess you could call her "sexy"- how could she not be when the sultry Scarlett Johansson is providing her voice (though I must admit, I preferred our darling Scarlett when looking like she did in Lost in Translation, aka her pre-smoldering temptress days)? Perhaps that casting choice was actually a flaw- every time Samantha spoke my mind instantly imagined Scarlett on the other end of the phone somewhere, making it seem more like Theodore was involved in a long-distance relationship.

I noticed that Joaquin Phoenix is the perfect Doppleganger of the guy in the Cohen Brothers' film A Serious Man (Michael Stuhlbarg). The first time I saw the trailer, I did not think that the main actor was Joaquin. Just another pair to add to the list of celebrity look-a-likes (think Katy Perry and Zooey Deschanel). Joaquin did a stellar acting job as did Amy Adams (how does she have time to be in so many movies these days?) and Chris Pratt (that guy is hilarious- probably the most underrated comedy actor of today. I attest he is the next Will Farrell).

Maybe it is the glasses?
Noticing that this film received over a 90% on Rotten Tomatoes and its Best Picture nomination instantly elevated the bar of my expectations to the point where the heaviest man on earth could do the limbo underneath it. This is dangerous to do prior to a screening as I am almost always disappointed. This was no exception- I wanted nothing short of to love Her with a fiery, unbridled passion causing me to burst out the theater doors and rave about its awesomeness non-stop to all I encountered for the next two weeks, much to the dismay of all I encountered. Is that too much to ask? I didn't think so.

Being a contender for the coveted Best Picture Oscar instantly sets my mind to "over-analyze every film element" mode. I assume that if the Academy sees it as a true masterpiece of the cinema, it must have subtleties that film students could spend hours discussing. It got to the point where I thought "boy, they sure use the colors red and pink a lot. That MUST stand for something...hmmm...". Yeah, it probably stands for absolutely nothing. I also begin to read far too much into the underlying message of the film. Is it a critique of our increasing dependence on technology? An insight into the future dating world (match.com for robots?)? A commentary on how operating systems need to be treated better? All of the above? The takeaway from this review is I perhaps expected a bit too much and was therefore let down. Just be aware that it is a bit slow- if you go to see it, try to enjoy and not dissect every scene presented before you like I did. Then, you will certainly enjoy it. 

Ireland Part One of Part One: Two Planes, A Bus, And Air BN

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