My last post gave off the impression (to me, at least) that the recommendation that I read Middlesex was a head-scratcher. That is not the case. Novels penned by Jeffrey Eugenides are worth reading simply because he is such an all-around talented writer. When combined, his words, as those of good writers do, reach into the innermost part of their readers and violently yank out emotions. Equipped with literary prowess, when Eugenides decides that he wants his reader to feel something, they FEEL it, and are powerless to stop the catharsis.
His personification of a fire engulfing a town in flames stuck in my mind superglue style. "...the fire dodges him and races up into the house. From there it sweeps across an Oriental rug, marches out to the back porch, leaps nimbly up onto a laundry line, and tightrope-walks across to the house behind. It climbs in the window and pauses, as if shocked by its good fortune: because everything in the house it just made to burn..." (Eugenides, 56).
Before reading this passage, I thought that the only fire capable of marching, leaping, tightrope-walking and climbing was Calcifer from one of my favorite movies, Howl's Moving Castle.
So...Middlesex is about a hermaphrodite. The story of his/her life, told by Cal (formerly Callie), begins two generations before him with the history of his grandparents' journey from Greece to Detroit. He tells the sequence of events from the first person omniscient (for those of you who dozed off in high school language arts, that means that Cal is the narrator and knows everything, even events he was not present to witness). This may not sound like a unique element of the plot, but he does so in an interesting way. At points, Cal observes the relationships of his family from his perspective as an egg inside his mother's ovary. How clever is that?
So, what is the story? How did Cal, formerly Callie, end up this way? Well, that IS the story, and I don't want to spoil hours of fun reading for all of you, so I will keep my summary as just the tip of the iceberg. Simply put, there is more scandal and drama in Cal's parent's and grandparent's relationships than there is in the Kardashian family. Cal pairs the chronicling his own family's immigration and formation in Detroit with the corresponding events in Greece and the United States, which gives the novel a historic element.
There are scenes in Middlesex that are uncomfortable to read. As I mentioned in my previous post, I personally did not find reading about a hermaphrodite right before bed to be particularly conducive to a good night's sleep. It is dense and demanding, but if those two alliterative adjectives don't frighten you, feel free to take this novel head on. It is undeniably quality writing, but not what to read if you are looking for quick and light writing.
His personification of a fire engulfing a town in flames stuck in my mind superglue style. "...the fire dodges him and races up into the house. From there it sweeps across an Oriental rug, marches out to the back porch, leaps nimbly up onto a laundry line, and tightrope-walks across to the house behind. It climbs in the window and pauses, as if shocked by its good fortune: because everything in the house it just made to burn..." (Eugenides, 56).
Before reading this passage, I thought that the only fire capable of marching, leaping, tightrope-walking and climbing was Calcifer from one of my favorite movies, Howl's Moving Castle.
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| My favorite personified fire |
So...Middlesex is about a hermaphrodite. The story of his/her life, told by Cal (formerly Callie), begins two generations before him with the history of his grandparents' journey from Greece to Detroit. He tells the sequence of events from the first person omniscient (for those of you who dozed off in high school language arts, that means that Cal is the narrator and knows everything, even events he was not present to witness). This may not sound like a unique element of the plot, but he does so in an interesting way. At points, Cal observes the relationships of his family from his perspective as an egg inside his mother's ovary. How clever is that?
So, what is the story? How did Cal, formerly Callie, end up this way? Well, that IS the story, and I don't want to spoil hours of fun reading for all of you, so I will keep my summary as just the tip of the iceberg. Simply put, there is more scandal and drama in Cal's parent's and grandparent's relationships than there is in the Kardashian family. Cal pairs the chronicling his own family's immigration and formation in Detroit with the corresponding events in Greece and the United States, which gives the novel a historic element.
There are scenes in Middlesex that are uncomfortable to read. As I mentioned in my previous post, I personally did not find reading about a hermaphrodite right before bed to be particularly conducive to a good night's sleep. It is dense and demanding, but if those two alliterative adjectives don't frighten you, feel free to take this novel head on. It is undeniably quality writing, but not what to read if you are looking for quick and light writing.
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